In listening to it, the final two chords (B7-E) sounds like a finish. But on closer inspection and guided by Chris's analysis, I agree that E is the better option. Well, I initially thought A which has nearly as many notes (1 less) than E when compared to your progression. That was a fun exercise Adam! I did more or less the same thing that Christopher recommended and came up with almost the same answer. Sorry its a bit of a fiddly question.lol. How do I figure out what key it is in as there is nothing in there that fits into the 1,4,5 format but still sounds okay that the chord progression works ? I know you can play a song in a key and but start with a note/chord that is not in that key.īut what if you create a tune that doesnt follow the 1, 4, 5 structure? I came up with a part of a tune (only very short) of Amaj>Amaj flat>C#minor (barre chords)>A (rock open)>C(open)>B7>Emaj. Had a quick question, I understand the Key chord identification structure of 1st, 4th & 5th, simple enough, and also understand that although usually the first note/chord played is the key a tune is in it doesnt always work that way. I am having a great time on this site and just moved on from fundamentals onto rock lessons. Most of how this works is in the tutorials listed above. I cover this kind of secondary dominant relationship in the music theory tutorial linked above. G# is a modulation that leads to the C# minor. Stripped down this is a IV-VI-V-I progression with some modulations to make it interesting. Most of those notes are in tlhe key of E major:Į(1), f#(2), g#(3), a(4), b(5), c#(6), d#(7)Ĭ(minor 6th in E minor), g(minor 3rd in E minor)īut they are in the closely related, parallel key of E minor! So the progression has some modulation, notes and, or chords that are not in the same key as the rest of the notes.Ī (IV) - G# (III or V of VI) - C# min (VI) - A (IV) - C (bVI) - B7 (V) - E (I) We don't need to include a-flat because it's the same note as g#. I came up with a part of a tune (only very short) of Amaj>Amaj flat>C#minor (barre chords)>A (rock open)>C(open)>B7>Emaj.
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